to make one’s self visible in the moment of disappearance
— Izima Kaoru
Life & Death
We’re going to take our inspiration this week from Japanese Photographer Izima Kaoru. For 25 years now he’s been working on his Landscapes with a Corpse project. You see a few examples on this page.
In Art History, Memento mori paintings were paintings to “remind us of death.” To remind us of our own human mortality. Kaoru follows in the Memento Mori tradition. Although the Memento Mori paintings were a little bit more decomposed. Karou’s paintings are a little bit more Prada. Part fashion photography, part landscape, crime, cinema, these images are the rare opportunity to see your own death, and then get up and walk away from it.
Your Art Experience
In your Art110 Landscapes with a Corpse activity inspired by Kaoru, you imagine your departure and create a photographic self-portrait. You can have all the help you like. Try working with other Art110 students to help each other and share props! Some of you will, no doubt, have a lot of fun with “movie blood,” although none is required, capturing the great stillness of life is sufficient. You can use any “legal” space on or off campus. Be sure to clean up.
In addition to beautiful clothes and ideal “departure” settings, another hallmark of Karou’s work is that he takes a series of images at very different distances from the subject: the wide image might show a huge section of Tokyo skyline, and then zoom progressively in on a body on a rooftop. In your activity try to take 2 or more images that show different context, or framing, or figure-ground relationships.
In addition to your pictures, discuss:
- What you were going for
- How successful you think you were or were not
- What you would do differently if you tried this activity again